Millstone (2026)

Millstone takes its cue from the workers’ steady, exact grinding—motion as endurance. Projection, workshop tools and mirrors made during the Cultural Revolution assemble into a site-responsive “vision machine” that settles inside the workshop and learns its rhythm. The objects collaborate, but they also scrape and strain against one another, marking the space with traces—of desire, of longing. Out of this labouring friction, a live-captured interactive image is projected back into the room, calling up a spectre of shared memory.