Textus Connectivus (2026)

The household plastic tarpaulin so widely used in cities becomes a source of distortions in space and time, as if the laws of quantum mechanics had been transferred to the macroscopic world. Places far apart are gathered into a single field that lives by its own paradoxical rules. We find ourselves inside a cinematic arabesque, in which shots join into a continuous, intricate ornament unfolding in time.