Flôr de Panchão (2026)

For a decade, living in a foreign land, Kate has attempted to “return home” at a distance, as she finds herself in a doubly exotic identity. She’s no longer a local in Macau, and Poland is still somehow unfamiliar. She searched for Portuguese colonial stamps of Macau in Poland; through historical artifacts, she relentlessly searches for a sense of home in Macau’s history, with a dose of doubt about her self-identity as Macanese.